- Art Market Crisis ?
- The End of the Art Fair Age?
- Is the time of the dealers back?
- Yamini Nayar - Intimate Theater: A Soliloquy of Dislocations
“With the introduction of violence and sexuality the identification with the victim or the perpetrator is stronger and more intense.”
Dutch artist Ronald Ophuis (born in 1968, Hengelo) has, since the late 1990s when I first saw his work in Amsterdam, built up a consistent pictorial oeuvre in which history, memory and narrativity emerge [...]
Who Cares? 16 Essays on Curating in Asia. Edited by Álvaro Rodríguez Fominaya and Michael Lee. Hong Kong: Para/Site Art Space with Studio Bibliothèque and seed | projects, 2010. 187 pages. ISBN 9789889896393
By Irina Leyva-Pérez
This book opens the forum with a simple yet intriguing question: Is it different to curate an exhibition in [...]
By Michele Robecchi
Did you know that when The Guardian art correspondent paid a studio visit to Turner Prize finalist Lynette Yiadom-Boakye in London last May, two men were loitering outside the building, mobiles in hand, one yelling, “Are you Becca?” at no one in particular? And that in The New Yorker’s obituary for [...]
By John Valentine
Thesis: Modernist standards of objectivity in aesthetic evaluation are illusory. (Consider Lyotard’s “…incredulity with respect to all metanarratives.”) Art evaluation cannot logically proceed via the traditional deductive model.
Conclusion: The only relevant role for art critics today is not rational evaluation by way of reason-giving, but rather the function of the scout [...]
By Paco Barragán
The suppression of speech or other written information goes back a long way. Just remember how Socrates in 399 B.C. was put to death via the forced ingestion of hemlock because he challenged the Greek state’s attempt to censor his philosophical ideas.
From time to time we are confronted with the control [...]
By Michele Robecchi
One of the acknowledged limits of history, and as such the history of art, is that things are usually recounted along vertical lines. Whilst there is an undisputable logic in the method–evolutions and developments are much easier to read in this way–one of the downsides is that it tends to deny [...]
By Anne Swartz
American Joan Jonas’ art is a subtle and complex interplay of images arranged like words in sentences and paragraphs engaging with the simultaneous denotative and connotative meanings of language. She has used video and sound, installation and performance to showcase the essence of social, lived experience, first exploring gender, then visuality, [...]
“We believe in the space of the museum, as this is the place where people come together and get educated and entertained at the same time.”
As with most curators, Franklin Sirmans started as an arts writer for magazines, in his case Flash Art and Artnews. Before being appointed department head and curator of [...]
“With more and more media readily available through this unruly archive, the task becomes one of packaging, producing, reframing, and distributing; a mode of production analogous not to the creation of material goods, but to the production of social contexts, using existing material. What a time you chose to be born!”—Seth Price wrote [...]
Maria Elena Buszek, Ph.D., is a scholar, critic, curator and associate professor of art history at the University of Colorado Denver. Her recent publications include the books Pin-Up Grrrls: Feminism, Sexuality, Popular Culture (Duke University Press Books, 2006) and Extra/Ordinary: Craft and Contemporary Art (Duke, 2011). She has also contributed writing to [...]
James Lough teaches nonfiction writing at the Savannah College of Art and Design in the writing department, which he formerly directed. His book This Ain’t No Holiday Inn: Down and Out in New York’s Chelsea 1980-1995 was published by Schaffner Press in 2013. He is also the author of Spheres of Awareness [...]