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It’s a Poor Sort of Memory that Only Works Backwards: On the work of Johan Grimonprez, Ostfildern: Hatje Cantz, 2011.
This publication provides a critical tool for looking at Johan Grimonprez’s works from 1992 to the present, bringing together interviews with the artist, critical texts and commentaries by an international range of writers, film critics, curators, artists and philosophers, as well as fragments of his film scripts. This anthology of essays explores characteristic themes of Grimonprez’s ingenious film essays, such as the contemporary fear industry, globalization, the notion of the “other” and the “double,” as well as the relationship between history and the present, capitalism and communism, and television and film. These insightful essays invite the reader to reflect upon the multidimensional and critically acclaimed films of this brilliant artist, who challenges the audience’s perception by unwrapping the hidden dimensions of our mediatized culture. It’s a must-have book for those interested in Grimonprez’s complex and sophisticated visual works, which are at the intersections of art and cinema, fiction and documentary, and theory and practice.
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