“Screen Democracy” or Fascism of the Image? New Audiovisual Regimes in an Era of Indiscriminate Information Dissemination
By F. Javier Panera
Some time ago, while accompanying a group of students who were visiting an exhibition at the Centro de Arte Contemporáneo de Salamanca (Spain), characterized by large multi-screen video installations by the German artist Julian Rosefeldt, I was able to confirm with utter bewilderment that a significant number of the young [...]
