Whitney Biennial 2022: Quiet as It’s Kept
By Taliesin Thomas
I have been visiting the Whitney Biennale since the mid-1990s. During the years I didn’t make the show in person, I read the reviews published in magazines such as Art in America and ArtNews. Over the decades I have observed a certain predictable trope: the show tanks—either conceptually, physically, or spiritually. Nevertheless, the show must [...]
