Kettle’s Whistle: The Walked and the Drawn Line
By Michele Robecchi
When the eminent professor Arnold Bode initiated Documenta in 1955, his primary goal was to show the ‘Entartete Kunst’ (degenerated art) erstwhile banned from his country by giving movements such as Fauvism, Cubism, Surrealism and fundamentally anything remotely abstract the first opportunity to be viewed in post-war Germany. It was clearly [...]
