Push to Flush. American Iconoclasm and Painting
(Or Why Dana Schutz’s Painting of Emmett Till Goes Far Beyond Freedom of Expression)
By Paco Barragán
The recent controversy about Dana Schutz’s painting Open Casket (2016) at the Whitney Biennial is reminiscent of similar incidents in the United States that keep popping up with frenzied fury.
In this case, the attack came from [...]
