Tomás Ochoa: Social X-rays
By Raisa Clavijo
The work of Tomás Ochoa (Cuenca, Ecuador, 1969) carries an implicit, powerful political message. This multidiciplinary artist takes Latin American society and history as essential raw material, analyzing them in light of his knowledge of semiotics, post-structuralist theories and decolonial discourse. His strategy is based on dismantling or deconstructing “official” history, [...]