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Ebony G. Patterson “…while the dew is still on the roses…”

Ebony G. Patterson “…while the dew is still on the roses…”

I come to the garden alone
While the dew is still on the roses
And the voice I hear falling on my ear
The Son of God discloses.
And He walks with me, and He talks with me,
And He tells me I am His own;
And the joy we share as we tarry there,
None other has ever known.
He [...]



The Art School Critique

The Art School Critique

“Critique, etc.”

“…I had a teacher one whole summer who never told me/
anything and it was wonderful.”

Frank O’Hara
Hotel Particulier
From Lunch Poems, 1964.

By Craig Drennen

Let’s be clear. The art school critique is not just talk. It is a conversation that’s supposed to cause improvement. Mentors and peers talk about a student artist’s work to [...]



The Defining Moments of Georg Baselitz at Age 80

The Defining Moments of Georg Baselitz at Age 80

By Daniel Bonnell
When approaching one of Baselitz’s massive up-side-down paintings you must be on guard. His art acts as walls of seeking and suffering, simplicity and complexity, and profound yet primal beauty. To think about it is to destroy it-one must simply be with the work and if any answers are sought it [...]



Figurative Drawing: E. H. Gombrich and Stephen Wiltshire, “The Human Camera”

Figurative Drawing: E. H. Gombrich and Stephen Wiltshire, “The Human Camera”

By John Valentine
It is not my intent in this short essay to conduct an in-depth critique of E.H. Gombrich’s masterful work in the psychology of perception and its relation to figurative drawing. His book Art and Illusion: A Study in the Psychology of Pictorial Representation is justifiably famous. Rather, my goal is to [...]



The Weirdness We've Come to Accept

The Weirdness We’ve Come to Accept

By Scott Thorp
“Hackers are free people, just like artists who wake up in the morning in a good mood and start painting,” stated Russian President Vladimir Putin as he denied Russian involvement in the 2016 U.S. Presidential Election (1). This is funny (ironic) coming from Putin. But in the overall spectrum of things, [...]



Kettle’s Whistle. Modern Couples

Kettle’s Whistle. Modern Couples

By Michele Robecchi
Personal relationships-even when at the mercy of exhaustive public scrutiny or documented by copious correspondence-remain intricate, intangible affairs. It is difficult to establish when and how they effectively start, finish (if they really do) and shape the people involved. They form a constantly mutating world made of mysteries, nuances and innuendos, [...]



When Racism and Sexism Are No Longer Fashionable. Magnetic Fields: Expanding American Abstraction

When Racism and Sexism Are No Longer Fashionable. Magnetic Fields: Expanding American Abstraction

By Lisa Jaye Young
When racism and sexism are no longer fashionable, how much will your art collection be worth? In 1989, almost thirty years ago, the Guerilla Girls posed this now infamous question to the art world.  In a perfect world, one that we clearly do not yet enjoy, it would [...]



‘The Contemporary’ Or, Just Another Buzzword from Western Academia?

‘The Contemporary’ Or, Just Another Buzzword from Western Academia?

By Paco Barragán

There was a time when ‘modern’ (without the superfluous article) was more contemporary than ‘contemporary’. Think of Alfred Barr, Jr.’s indefatigable crusade for the modern in his essay “Modern Art Makes History, Too” published in 1941 in the College Art Journal. Now it seems that ‘the contemporary’ is the new [...]



Kettle’s Whistle. Back to Square One

Kettle’s Whistle. Back to Square One

By Michele Robecchi
There were great expectations last spring when Ruben Östlund’s film The Square was premiered in Cannes. Finally, so it seemed, the contemporary art world would be the recipient of a well-researched, intelligent, and caustic study safely distant from the vapid clichés that have dominated every production on the subject so far. [...]



An Interview with James McMullan

An Interview with James McMullan

Robert Capa called it the decisive moment. Andrew Wyeth called it the third dimension of realness. Georgia O’Keeffe called it the fragmented whole. It is the ability to orchestrate a concept with a visual element that gives birth to a third dimension of seeing. Few artists in history have had the consistency that [...]